Job Opportunity
Careers & Faculty Opportunities: All Instruments & Academic Disciplines
To support our expanding programs, we are actively recruiting distinguished performers, instrumentalists, vocalists, audio engineers, and academic scholars across all departments and instrument families.
Below is your Careers / Opportunities page.
Join Our Faculty: Faculty & Teaching Opportunities
Our institution is growing, and we are opening applications for dedicated educators, virtuosic instrumentalists, and industry professionals across all musical disciplines. Whether you excel in classical traditions, jazz, contemporary commercial music, West African popular music, or music technology, we invite you to join our dynamic academic community.
Open Positions by Department & Instrument
1. Department of Keyboard & Piano Studies
Instruments & Roles: Piano (Classical, Contemporary, Collaborative), Digital Keyboards, Hammond Organ, Synthesis & Sound Design.
Focus Areas: Applied individual studio, class keyboard, sight-reading, score reading, and keyboard pedagogy.
2. Department of Strings, Plucked & Low-End Instruments
Instruments & Roles: Electric Bass, Double Bass (Upright), Lead & Rhythm Guitar (Jazz, Rock, Fusion, Acoustic), Classical Guitar, Violin, Viola, Cello, Double Bass.
Focus Areas: Technique, fretboard/fingerboard mechanics, improvisation, ensemble coaching, and studio tracking.
3. Department of Percussion & Rhythm Section Studies
Instruments & Roles: Drum Set (Jazz, Afro-Cuban, Gospel, Rock), Orchestral Percussion, West African Traditional Percussion (Talking Drum, Gome, Congas, Shekere).
Focus Areas: Rudiments, 4-way independence, polyrhythms, timekeeping, chart reading, and rhythm section laboratory directorship.
4. Department of Brass & Woodwinds
Instruments & Roles: Trumpet, French Horn, Trombone, Euphonium, Tuba, Saxophone (Alto, Tenor, Baritone), Flute, Clarinet, Oboe, Bassoon.
Focus Areas: Embouchure development, breath mechanics, orchestral excerpts, big band section playing, and chamber ensemble coaching.
5. Department of Vocal Performance & Pedagogy
Roles: Classical/Opera Voice, Jazz Voice, Gospel & CCM Vocal Coaches, Choral Directors, Lyric Diction Specialists.
Focus Areas: Vocal technique and health, registration blending, International Phonetic Alphabet (IPA) diction, microphone technique, and vocal ensemble direction.
6. Department of Music Directorship, Theory & Academic Studies
Roles: Music Directors (MDs), Music Theorists, Composers/Arrangers, Musicologists, Music Education Specialists.
Focus Areas: Band leadership, Ableton multitrack setups, four-part harmony, counterpoint, K–12 teacher training, and academic research supervision.
7. Department of Music Production & Audio Engineering
Roles: Chief Recording Engineers, Mixing & Mastering Engineers, Electronic Music Producers, Sound Designers for Film/Games.
Focus Areas: DAW instruction (Pro Tools, Logic, Ableton), analog console routing, acoustic design, spatial audio (Dolby Atmos), and music business.
Key Responsibilities
Deliver high-quality individual applied lessons, lecture classes, or ensemble rehearsals according to university syllabi.
Mentor students through jury examinations, recital preparation, research projects, and career development.
Participate in departmental recitals, masterclasses, faculty ensemble performances, and auditions.
Contribute to curriculum development, program assessment, and institutional committee work.
Faculty Qualifications
Certificate & Diploma Instructors: Minimum of a Bachelor of Music (B.Mus.) or equivalent professional diploma, paired with a strong record of active performance, studio session work, or classroom teaching.
Undergraduate (B.Mus. / B.M.Ed.) Faculty: Master of Music (M.Mus.) or Master of Arts (M.A.) in Music / Music Education, accompanied by an established profile as a performer, arranger, or educator.
Graduate (M.Mus. / Ph.D. / D.M.A.) Faculty: Terminal degree (D.M.A. or Ph.D.) in Music Performance, Conducting, Pedagogy, Ethnomusicology, or Audio Technology, supported by an international concert profile, discography, or peer-reviewed research publications.
How to Apply
Interested candidates should submit the following materials to our recruitment portal or admissions/hr email:
Cover Letter specifying your primary instrument/discipline and academic tier interest (Certificate through Doctorate).
Curriculum Vitae (CV) / Professional Resume detailing performance history, teaching experience, discography, or publications.
Audio/Video Portfolio containing links (YouTube, Vimeo, SoundCloud) to recent live performances, ensemble directorship, or studio productions (minimum 3 contrasting selections).
Statement of Teaching Philosophy (1 page outlining your approach to technique, artistry, and student mentorship).
